Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

1/17/2010

Review of Gynomite: Fearless, Feminist Porn (Paperback)

First of all, the book is both moving and laugh-out loud hysterical.Three of the writers were featured before a poetry slam here in Phoenix and the sample poetry and stories they presented to the audience were unbelivable; the entire room was both captivated and amused.That was just a small sample; the book itself is even better.

Product Description
This is more than just a collection of dirtystories. This is a milestone document from an ongoing movement tochange the world one orgasm at a time.

Full of sexually charged language and imagery, unusual points of view,and subject matter covering new territory or still considered taboo;each piece of writing in this book represents an original, personalapproach to the concept of "Feminist Porn."

Lesbians writing gay male sex... straight chicks writing as hornymen...girly girls get macha, older broads buck wild... turningstereotypes on their heads... giving and taking in equal parts.

From the most subtle erotic gesture to the most extreme expressions offorbidden rage, the authors of these stories spill their inner sluts:butt zits, saggy tits, wiry nipple hair, jellyroll bellies, knifefetishes, and all. Taste the blood and the bliss.

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1/16/2010

Review of David Mamet's Glengarry Glen Ross: Text and Performance (Casebooks on Modern Dramatists) (Paperback)

I haven't been able to buy this book, but I have read it.It is very good, and doesn't just talk about the play, about half the essays are significantly focused on the movie version of Glengarry Glen Ross, andthere are a few that are completely focused on it.I believe one evenmakes a case that the movie is better than the play (which I agree with). A great book if you are interested in Mamet's work of genius!

Product Description
The 12 original and two classic essays offer a dialectic on performance and structure, and substantially advance our knowledge of this seminal playwright.The commentaries examine feminism, pernicious nostalgia, ethnicity, the mythological land motif, the discourse of anxiety, gendered language, and Mamet's vision of America, providing insights on the theatricality, originality, and universality of the work. Although the dominant focus is on Glengarry Glen Ross, several essays look at the play against the background of Mamet's Edmund, Reunion, and American Buffalo, whereas others find fascinating parallels in Emerson, Baudrillard, Conrad, Miller, and Churchill.The book also includes an interview with Sam Mendes, the director of the highly acclaimed 1994 revival of Glengarry Glen Ross in London, conducted specifically for this collectio. A chronology of major productions and the most current and comprehensive bibliography of secondary references from 1983-1995 complete the volume.

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12/21/2009

Review of The Yellow Farmhouse Cookbook (Hardcover)

A NYC Chef, I took this book with me when going down south to cook for 2 older southern gentlemen because I was informed under no uncertain terms that I would have to cook old-fashioned American country food. This book turned out to be very dependable. I am intrigued by the less than satisfactory reviews of the book. He definitely backtracks on some of his recipes in the Cook's Bible (he tells you where) but he also talks about how he improved the recipe here. To be sure, I have modifications in mind for my own taste on several of the recipes, and find the "master recipe" concept for things like mashed potatoes amusing, but this book's results are very enjoyable home-style cooking. One major feature for me was that I've been used to the organic produce and variety one finds in NY, but there, that wasn't available. These recipes came through because they are written for what one can find in a grocery store anywhere in the country.



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12/17/2009

Review of Dogs of Truth: New and Uncollected Stories (Paperback)

Ordinarily, when reading a book of short stories in the horror genre, the more normal the lead-in and middle of the story, the more horrible the ending.The reader comes to expect this, anticipate it, and therefore, discount it.Not so with these stories.Ms. Reed still manages to surprise the reader with the twists at the end, or the way in which the "normal" part draws you in, only to shock in the wrap up.Based on her short stories, Ms. Reed is an excellent author, and this is a much better than "normal" book of short stories.



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11/26/2009

Review of Disney Recipes: From Animation to Inspiration (Hardcover)

Since I am a zero star cook myself I don't feel qualified to rate ANY cookbook 5 stars.But, like practically everybody else on the planet, I'm charmed by anything Disney and this book fits right in with the overall beguilement we all feel toward Mickey and his buds.And the idea is so clever you can't help being snookered in yet again.The full color layout rocks, the nostalgia is cool and the recipes, mostly, are easy enough even for a fumble-fingered cook like me.Although it's not aimed at kids they too will love thumbing through its pages.The price is certainly right and I bought five copies to put under various Christmas trees, all for the adult "kids" in my life.Mr. Meyer and Mr. Garofalo are to be congratulated.Is Volume II in the works?

Product Description
From short movies to full-length feature films, characters from the great Disney movies are often seen sipping soups, consuming cakes, or sampling any number of gastronomic delights. One hundred and one delectable recipes, based on favorite food scenes from the films and created by award-winning American chef Ira Meyer, are collected in this colorfully illustrated cookbook. Savor Snow White's Gooseberry Pie, Ariel's Bouillabaisse, or spaghetti and meatballs from Lady and the Tramp. Disney Recipes is a treat for the entire family, with easy-to-follow instructions that include tips for how to involve kids in the preparation. Sprinkled throughout with original artwork and beautiful stills from the movies, this is one tasty treat.

Click Here to see more reviews about: Disney Recipes: From Animation to Inspiration (Hardcover)

Review of Disney Recipes: From Animation to Inspiration (Hardcover)

Since I am a zero star cook myself I don't feel qualified to rate ANY cookbook 5 stars.But, like practically everybody else on the planet, I'm charmed by anything Disney and this book fits right in with the overall beguilement we all feel toward Mickey and his buds.And the idea is so clever you can't help being snookered in yet again.The full color layout rocks, the nostalgia is cool and the recipes, mostly, are easy enough even for a fumble-fingered cook like me.Although it's not aimed at kids they too will love thumbing through its pages.The price is certainly right and I bought five copies to put under various Christmas trees, all for the adult "kids" in my life.Mr. Meyer and Mr. Garofalo are to be congratulated.Is Volume II in the works?

Product Description
From short movies to full-length feature films, characters from the great Disney movies are often seen sipping soups, consuming cakes, or sampling any number of gastronomic delights. One hundred and one delectable recipes, based on favorite food scenes from the films and created by award-winning American chef Ira Meyer, are collected in this colorfully illustrated cookbook. Savor Snow White's Gooseberry Pie, Ariel's Bouillabaisse, or spaghetti and meatballs from Lady and the Tramp. Disney Recipes is a treat for the entire family, with easy-to-follow instructions that include tips for how to involve kids in the preparation. Sprinkled throughout with original artwork and beautiful stills from the movies, this is one tasty treat.

Click Here to see more reviews about: Disney Recipes: From Animation to Inspiration (Hardcover)

Review of Disney Recipes: From Animation to Inspiration (Hardcover)

Since I am a zero star cook myself I don't feel qualified to rate ANY cookbook 5 stars.But, like practically everybody else on the planet, I'm charmed by anything Disney and this book fits right in with the overall beguilement we all feel toward Mickey and his buds.And the idea is so clever you can't help being snookered in yet again.The full color layout rocks, the nostalgia is cool and the recipes, mostly, are easy enough even for a fumble-fingered cook like me.Although it's not aimed at kids they too will love thumbing through its pages.The price is certainly right and I bought five copies to put under various Christmas trees, all for the adult "kids" in my life.Mr. Meyer and Mr. Garofalo are to be congratulated.Is Volume II in the works?

Product Description
From short movies to full-length feature films, characters from the great Disney movies are often seen sipping soups, consuming cakes, or sampling any number of gastronomic delights. One hundred and one delectable recipes, based on favorite food scenes from the films and created by award-winning American chef Ira Meyer, are collected in this colorfully illustrated cookbook. Savor Snow White's Gooseberry Pie, Ariel's Bouillabaisse, or spaghetti and meatballs from Lady and the Tramp. Disney Recipes is a treat for the entire family, with easy-to-follow instructions that include tips for how to involve kids in the preparation. Sprinkled throughout with original artwork and beautiful stills from the movies, this is one tasty treat.

Click Here to see more reviews about: Disney Recipes: From Animation to Inspiration (Hardcover)

Review of Disney Recipes: From Animation to Inspiration (Hardcover)

Since I am a zero star cook myself I don't feel qualified to rate ANY cookbook 5 stars.But, like practically everybody else on the planet, I'm charmed by anything Disney and this book fits right in with the overall beguilement we all feel toward Mickey and his buds.And the idea is so clever you can't help being snookered in yet again.The full color layout rocks, the nostalgia is cool and the recipes, mostly, are easy enough even for a fumble-fingered cook like me.Although it's not aimed at kids they too will love thumbing through its pages.The price is certainly right and I bought five copies to put under various Christmas trees, all for the adult "kids" in my life.Mr. Meyer and Mr. Garofalo are to be congratulated.Is Volume II in the works?

Product Description
From short movies to full-length feature films, characters from the great Disney movies are often seen sipping soups, consuming cakes, or sampling any number of gastronomic delights. One hundred and one delectable recipes, based on favorite food scenes from the films and created by award-winning American chef Ira Meyer, are collected in this colorfully illustrated cookbook. Savor Snow White's Gooseberry Pie, Ariel's Bouillabaisse, or spaghetti and meatballs from Lady and the Tramp. Disney Recipes is a treat for the entire family, with easy-to-follow instructions that include tips for how to involve kids in the preparation. Sprinkled throughout with original artwork and beautiful stills from the movies, this is one tasty treat.

Click Here to see more reviews about: Disney Recipes: From Animation to Inspiration (Hardcover)

11/06/2009

Review of Cold Feet (Paperback)

This is a pretty good collection of stories about women who are afraid of nuptials -- usually their own, but the last story features a woman who is afraid of someone else's because she's agoraphobic (afraid to go outside). If you like Downtown Press novels, you will probably enjoy this collection, which features all Downtown Press writers.

The first story, "Perfect Weather for Driving" by Elise Juska, was one of my favorites. Although Elise Juska's writing style is kind of slow and reflective, the plot and characters were engaging. The story is about a woman who is dating a workaholic. They have no plans to get engaged, but they're attending a wedding, and of course this makes them assess their own relationship. The woman is keeping a secret from the man.

The second story, "Losing California" by Tara McCarthy, was just okay. I didn't really like her novel, "Love Will Tear Us Apart," and this story followed the same formula: lots of stuff about the music industry, an overabundance of quick plot turns that leave you jarred, and an unsatisfying ending. If you skip this one you're not really missing anything.

The third story, "Sara King Goes Bad" by Pamela Ribon, had its good points. It's about a good girl who goes bad, just for one night. I won't give away the details but it seems as if the things she does are too easily forgiven. I know for one my husband would be very upset if I did them.

The fourth story, "The Happiest Day of Your Life" by Heather Swain, was very good although something disturbing happened in it. Heather Swain has a gift for creating a warm, cozy family setting that makes you want to read more. In this story, there's a conflict between her mellow Wisconsin family and her Brooklyn lifestyle, more specifically her plans to get married in Brooklyn.

The fifth story, "Emily & Jules" by Lisa Tucker, is a little weird. I'm not sure I would call it chick lit. Rather than dealing with women's issues, it's primarily about agoraphobia. Emily and Jules meet online through an agoraphobic group. Then Emily realizes she's not agoraphobic - she can drive around and go outside just fine, no panic attacks - but she feels the need to deceive Jules on this point so he won't feel alone.

Overall, this is worth checking out if you like chick lit or other Downtown Press books. If you're going to skip any stories, I would skip the second and fifth.

Product Description
Say "I do" to five surprising stories of women grappling with love and marriage and whether to walk down the aisle or run away.

In Elise Juska's "Perfect Weather for Driving," Megan and Joel's sunset fender-bender makes for a great drunken story at his friend's wedding, but the reality is hardly romantic. Stuck in a New England hotel waiting for the verdict on their Volvo, the two are forced to take stock of their own damaged relationship -- and whether it's too late to fix it.

In Tara McCarthy's "Losing California," engaged surfer Alison is convinced that Michael Madsen -- a member of her favorite band -- is her soul mate. Unfortunately, he's not her fiancé. So Alison flies to Nova Scotia, where Michael lives, because she's either right or she's wrong -- and she better find out before the wedding.

The bride-to-be in Pamela Ribon's "Sara King Goes Bad" has always done the right thing but decides it's important to know what it feels like to be reckless for once. And so two weeks before her wedding, she indulges in an unforgettable night of sex, drugs, and petty crime.

In Heather Swain's "The Happiest Day of Your Life," Annie and Ben plan a simple ceremony at an apple orchard. But when Annie loses perspective -- and everything that can go wrong does -- she's forced to rethink why she wanted a wedding in the first place.

The "Emily & Jules" of Lisa Tucker's story are two lonely people who meet on an online bulletin board for agoraphobics. But when Emily is invited to her estranged brother's wedding -- and it's clear across the country -- both she and Jules may be forced to change their ways.

Will any of these heroines get to the church on time? Cozy up with Cold Feet and find out.


About the Author
Heather Swain lives with the loves of her life -- her husband, her new daughter, and her dog -- in a crooked house in Brooklyn, New York. Her fiction, nonfiction, and personal essays have appeared in books, magazines, literary journals, and online. Luscious Lemon is her second novel. Her first, Eliot's Banana, is also available from Downtown Press.

You can visit Heather anytime at HeatherSwain.com

Pamela Ribon's first novel, Why Girls are Weird, is based on her experiences with her hugely successful website pamie.com. A performer with an acting degree from the University of Texas at Austin, she is the creator of the underground comedy scandal Call Us Crazy: The Anne Heche Monologues and was showcased at the 2005 U.S. Comedy Arts Festival. She lives in Los Angeles, where she writes for film and television in addition to working on her next novel.

Tara McCarthy is the author of Been There, Haven't Done That: A Virgin's Memoir. Her work has appeared in Seventeen, Mademoiselle, Glamour, and Good Housekeeping, and in the Downtown Press anthology Cold Feet. Tara lives with her husband in Astoria, New York. Love Will Tear Us Apart is her first novel.

Elise Juska's short stories have appeared in many magazines, including The Hudson Review, Harvard Review, Salmagundi, Black Warrior Review, Calyx, and The Seattle Review. She teaches fiction writing at The New School in New York City and The University of the Arts in Philadelphia. Her first novel, Getting Over Jack Wagner, is available from Downtown Press.

Visit the author's website: www.elisejuska.com.

Lisa Tucker is the author of The Song Reader and Shout Down the Moon; she has also published short work in Seventeen, Pages, and The Oxford American. She has advanced degrees in English and math, and has taught creative writing at the Taos Conference and UCLA. Lisa lives in Pennsylvania and New Mexico with her husband and son. Visit her website at www.lisatucker.com.

Click Here to see more reviews about: Cold Feet (Paperback)

10/29/2009

Review of Three One-Act Plays: Riverside Drive Old Saybrook Central Park West (Paperback)

These are not terrific comedies about infidelity. For the long-term Woody Allen fan, they will not reveal a desire on Allen's part to explore significantly new thematic material.

For whatever reason, Allen has in recent years revived his interest in theatrical writing (many years ago he had hits with "Don't Drink The Water" and "Play it Again, Sam"; the short plays "Death" and "God" were included in his collections of New Yorker pieces). There are other (dramatic) plays that have not yet appeared in print - "The Floating Lightbulb" (circa 1980) and "A Secondhand Memory" (2004).

"Central Park West" is the least interesting of the three newer plays included in this handsome paperback. It originally appeared in 1995 on a triple bill called DEATH DEFYING ACTS with one-acts by David Mamet and Elaine May. It anticipates a love-quadrangle scenario Allen would explore more effectively in his film "Deconstructing Harry" (1997) - that of a man leaving his wife not for his long-term mistress but for another, much younger, woman. Of course, the mistress initially thinks she is the one with whom the husband will be running away.

The play is, I guess, meant to be a kind of satire of rich New Yorkers. It doesn't really come off. One must resist temptation to seize upon this line and turn it against its creator -

"You're a failed writer, Howard - judging from the characters you create you shouldn't even be a writer - you should be in the cardboard business."

(For a laugh, and an insight into the pains of a director who must deal with the whims of three playwrights, check out the diary of the director that was published in the New Yorker in 1996.)

WRITER'S BLOCK was presented as a double-bill directed by Allen in 2003. "Riverside Drive", the best play in the book, focuses on a cheating writer who, while waiting to meet his soon-to-be ex-mistress in a secluded spot by the Hudson, is harrassed by a mentally unstable homeless writer. The action goes on to revisit shades of the Martin Landau plot of 'Crimes and Misdemeanors'.

"Old Saybrook" is similiar to "Central Park West" albeit with a post-modern twist. Halfway through this play about cheating couples in Connecticut, we discover these characters are actually characters from an abandoned play by a playwright named Max Krolian ("It's dark in the drawer," explains one character). Krolian joins in on the action to try to figure out an ending to the play.

Product Description
Three delightful one-act plays set in and around New York, in which sophisticated characters confound one another in ways only Woody Allen could imagine

Woody Allen's first dramatic writing published in years, "Riverside Drive," "Old Saybrook," and "Central Park West" are humorous, insightful, and unusually readable plays about infidelity. The characters, archetypal New Yorkers all, start out talking innocently enough, but soon the most unexpected things arise-and the reader enjoys every minute of it (though not all the characters do).

These plays (successfully produced on the New York stage and in regional theaters on the East Coast) dramatize Allen's continuing preoccupation with people who rationalize their actions, hide what they're doing, and inevitably slip into sexual deception-all of it revealed in Allen's quintessentially pell-mell dialogue.

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