Showing posts with label Grove Press. Show all posts
Showing posts with label Grove Press. Show all posts

1/14/2010

Review of Up Through the Water (Paperback)

In this promising first novel, Steinke creates characters that are introspective and believable, an accomplishment in itself these days.Having vacationed at the outer banks of NC a number of times, I can tellyou that this work transports you there.Steinke is efficient and poeticin her use of language, and her plot is loosely framed on the cycles ofseason and life with the time worn metaphor of water as rejuvenationsomehow freshened through her young eye.

Product Description
Darcey Steinke's first novel, now back in print, is an unusually assured and lyrical debut. Set on an island resort town off North Carolina, it tells of summer people and islanders, mothers and sons, women and men, love and its dangers. It is the story of Emily, a woman free as the waves she swims in every day, of the man who wants to clip her wings, of her son and the summer that he will become a man. George Garrett called it "clean-cut, lean-lined, quickly moving, and audacious. . . . [Steinke is] compassionate without sentimentality, romantic without false feelings, and clearly and extravagantly gifted." "Beautifully written . . . a seamless and almost instinctive prose that often reads more like poetry than fiction." -- Robert Olmstead New York Times Book Review; "Dazzling and charged . . . Darcey Steinke has the sensuous and precise visions of female and male, and of the light and dark at the edge of the sea." -- John Casey.

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12/22/2009

Review of If You Didn't Bring Jerky, What Did I Just Eat: Misadventures in Hunting, Fishing, and the Wilds of Suburbia (Paperback)

Three cheers for Heavey's new book "If you didn't bring Jerky, What did I just eat?"I have read his stories in Field and stream for years and love to flip to the back of the magazine to see what he's been up to.This book is a collection of his stories and it makes the book hard to put down.The way he relates to the average Joe in his trials and errors is what makes this book an instant classic that I will never part with.I think this book will appeal to more than just the Field and Stream faithful and is worth taking the chance on if you love the outdoors.

Definetly worth a look.

Product Description
For nearly a decade, Bill Heavey, an outdoorsman marooned in suburbia, has written the "Sportsman's Life" column on the back page of Field & Stream, where he does for hunting and fishing what David Feherty does for golf and Lewis Grizzard did for the South. His work is adored by readers-one proclaims him "the greatest sportswriter who has ever walked the planet"-and his peers have recognized his work with three prestigious National Magazine Award nominations. If You Didn't Bring Jerky, What Did I Just Eat? is the first collection of Heavey's hilarious observations on life as an enthusiastic (but often hapless) outdoorsman. Whether he's hunting cougars in the southwest desert, scheming to make his five-year-old daughter fall in love with fishing, or chronicling his father's slow decline through the lens of the numerous dogs he's owned over seventy-five years, Heavey is a master at blending humor and pathos-and wide-ranging outdoor enthusiasms-into a poignant and potent stew. Funny, warmhearted, and supremely entertaining, this book is an uproarious addition to the literature of the outdoors. The paperback edition features two new pieces.

From the Publisher
From The Baltimore Sun, December 23, 2007

Shticks, stones, funny bones

Candus Thomson

Bill Heavey's humor columns make dandy bookmarks.

That's a compliment.

For a number of years, I have been carefully tearing the back page out of Field and Stream, underlining his best lines and archiving them in travel books, cookbooks and the latest best-seller that resides in my personal library on the toilet tank.

This is my way of acknowledging both his writing skill and the fact that my alma mater, Emerson College (sadly named for Charles Wesley, the carnival barker, not Ralph Waldo, the essayist), will never dedicate a Thomson wing in the campus library filled with my papers.

But magazine pages get old and frayed. And when the Charmin runs out, you'd better believe all bets are off.

Luckily, Field and Stream has seen fit to bundle some of Heavey's best work into a single volume, If You Didn't Bring Jerky, What Did I Just Eat? (Atlantic Monthly Press, $23).

Heavey, a Northern Virginia resident who claims Maryland's woods and waters as his home turf, is just as funny in hardcover as he is stuffed in a book on the back of the American Standard.

If you're a regular reader, you know Heavey claims no extraordinary talents to make him the alpha outdoorsman. He writes: "I am physically unimpressive, have the woods sense of a parking meter and for years thought that a 'staging area' was where deer rehearsed theatrical performances."

It's a shtick that works. If you fish or hunt, you will embrace a lot of Heavey's takes on the outdoors and laugh at some of the stuff he does. For example:

* On finding his daughter Emma's SpongeBob Squarepants book in his hunting backpack while in a tree stand: "After not even seeing a deer all morning, and with nothing to lose, I pushed the button decorated with a giggling SpongeBob. Out came a sound like a doe bleat on helium. Intrigued, I hit it again. A doe emerged from the bushes 70 yards distant, where it stood alert and frozen for two minutes. I hit the button once more. Fifteen minutes later, I sent an arrow into that deer. I am unsure about SpongeBob's sexual orientation, but I will say this: The boy knows deer."

* On bass fishing TV shows: "Many television hosts like to kiss the bass they catch. I don't know who started this, but it has become epidemic. And it has to be hurting the catch-and-release survival rate. How strong do you think your will to live would be if the last thing you saw before being set free was an extreme close-up of [professional angler] Woo Daves' lips?"

* On spinning rod vs. fly rod: "My idea of fun is catching fish. Tons of them if possible. I love the tug and the way all three of us - the fish, the line, and I - become electrically connected for a few moments. I can count on zero fingers the number of times I've gone to bed thinking, 'That would have been a pretty good day if I hadn't caught so many fish.' But you can't tell a fly fisherman that. He'll give you some mumbo jumbo about 'loving the process,' spit white wine in your eye, and run you over with his Saab."

* On bow hunting in January: "The strange fact is that I like the late season, cold and all. I like it because the smart hunters - those smug guys diligent enough to scout the preseason and disciplined enough to avoid over-hunting prime stands - have tagged out. That leaves the woods to guys like me: the obsessed, the unhinged, the ones who don't know when to quit. There is a strange satisfaction in this kind of hunting. If you get a deer, the victory is that much sweeter. If not, it sure wasn't for lack of trying."

* On the agony of waiting at Fletcher's Boathouse in D.C. for the water to warm enough for fishing: "It would be easier all around if fish lived in the air. Air's a pushover. You throw it a little sunlight and it snuggles into your arms and coos, 'My place or yours?' Even soil heats up fairly fast. A single warm day like this one has no problem coaxing the daffodils and forsythia into promiscuous behavior they'll regret with tomorrow's cold snap. But water remembers what Mama told her. She requires the prolonged application of warmth before she comes around."

Heavey, 52, wasn't always in this line of work. Until age 40, he toiled for a construction trade association, "making the world safe for concrete."

A minor midlife crisis convinced him to shuck a regular paycheck and take the poverty vow of a full-time freelance outdoors writer. A newspaper travel story about smallmouth bass fishing was just the lure for Field and Stream, which brought him in from the cold.

"The outdoors is just a lens through which I filter everything, and a lot of the stuff, it's everyman kind of stuff about the difficulty of getting out to fish and hunt and be a good dad and husband," he explains while driving to a parent-teacher conference.

He didn't grow up hunting, but says he learned first to deer hunt and then graduated to bow hunting "to give me something to lie about the other six months of the year."

Now the challenge is to balance doing and writing.

"Sometimes, you have to carve out those 10 minutes for a 3,000-word feature and just bear down," he says, laughing. "It's brutal."

Does Heavey envision a day when he runs out of ways to poke fun at himself?

"The short answer is no," he says, driving and laughing. "There's not too much competition on the doofus front."

So, Bill, why should people buy your book?

"Because I desperately need the money," says Heavey, still laughing. "I've got all my eggs in one basket."

--This text refers to the Hardcover edition.

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12/06/2009

Review of Walk the Blue Fields: Stories (Paperback)

I suppose the first thing that comes to mind when I think of these short stories is that they have a strange relevance to today's uncertain world where the personal quests for economic, romantic and psychological security are ultimately doomed to failure.

The consistent theme weaving through these stories is that of a past that haunts the characters and is their ball and chain into the present and future.The stories revolve around familiar Irish subjects: shamed priests, writers, quirky women condemned as whores, and bored and destitute farmers.

The "Night of the Quicken Trees" combines most of these subjects and is the most compelling story in the book.It takes place on a wind swept plot of land overlooking the Cliffs of Moher, the last bit of Ireland until the Arran Islands.Steeped in mysticism, this tale involves Margaret's humorous and semi-tragic race against time to have a child to replace the baby she lost from crib death.Her decision to leave her home with her child and seek a safe haven from life's threats in the Arran Islands is the most spiritual and redemptive moment in the collection of stories.

"Irish Gothic" is how I would best describe the short stories.If Flannery O'Connor were still alive and visited modern Ireland, I think her reflections would be similar.

Product Description
Claire Keegan's brilliant debut collection, Antarctica, was a Los Angeles Times Book of the Year, and earned her resounding accolades on both sides of the Atlantic. Now she has delivered her next, much-anticipated book, Walk the Blue Fields, an unforgettable array of quietly wrenching stories about despair and desire in the timeless world of modern-day Ireland. In the never-before-published story "The Long and Painful Death," a writer awarded a stay to work in Heinrich Böll's old cottage has her peace interrupted by an unwelcome intruder, whose ulterior motives only emerge as the night progresses. In the title story, a priest waits at the altar to perform a marriage and, during the ceremony and the festivities that follow, battles his memories of a love affair with the bride that led him to question all to which he has dedicated his life; later that night, he finds an unlikely answer in the magical healing powers of a seer.
A masterful portrait of a country wrestling with its past and of individuals eking out their futures, Walk the Blue Fields is a breathtaking collection from one of Ireland's greatest talents, and a resounding articulation of all the yearnings of the human heart.

About the Author
Claire Keegan grew up in Wexford. Her debut collection, Antarctica, was a Los Angeles Times Book of the Year and won the Rooney Prize for Irish Literature.--This text refers to an out of print or unavailable edition of this title.

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12/05/2009

Review of The Race for the Triple Crown: Horses, High Stakes and Eternal Hope (Paperback)

"The Race for the Triple Crown" is not in the usual run of amiable puff jobs about Thoroughbreds and their owners.For one thing, the author is an award-winning sportswriter for the "New York Times."For another, he is a dedicated horse-player---Damon Runyon; bettin' on da gee-gees; bookies; "The Daily Racing Form"---that sort of scene.Finally and perhaps most importantly, he owned and raced a Quarter Horse named Oh Desperado, who turned out to be a whiz at dressage.

Joe Drape begins his story in June, 1999 when the big, beautiful Charismatic, a former claiming horse fractured his foreleg in the Belmont, just seconds away from becoming the first Thoroughbred in twenty-one years to win the Triple Crown.The book ends with Tiznow's victory in the 2000 Breeder's Cup Classic and the death of his eighty-three-year-old owner, Cecilia Straub-Rubens, three days later.

In between, Thoroughbred owners "spent $510,834,975 on 8,779 yearlings at auctions in the United States in hopes that one of them was the right horse for the 2002 Triple Crown."

The author writes primarily of the owners and trainers, by turns foolish, determined, and hopeful, and some of whom were real S.O.B.s.One of the prominent players is the trainer D. Wayne Lucas, who won the first two races in the Triple Crown in 1999, and then won the third leg in 2000.He is also one of the aforementioned S.O.B.s---one might even call him the Patton of Thoroughbred training.I finished this book with a tremendous admiration (although not liking) for Lucas, especially for winning the 2000 Belmont with a mediocre horse and sheer tactical brilliance.The author is still kicking himself for not betting on Lucas's horse in that race.It would have been his fifth winner on a Pick-Six ticket.

"The Race for the Triple Crown" is rich in the detail of what it takes to purchase a Thoroughbred at auction (lots of money, lots of testosterone, and lots of research).It portrays the agony and ecstasy of owning, training, and riding a potential Triple Crown horse.Here is the true story of the relationship between D. Wayne Lucas and Charismatic's jockey, Chris Antley.Here's what it feels like to try and outbid a Maktoum at the Keeneland September Yearling Sale.Here are the reasons why you shouldn't plan a celebratory dinner in advance of a Thoroughbred race.Here is Bob Baffert, "intoning, `Houston, we got a problem' into the microphone at the 1996 Preakness when his horse Cavonnier was on his way to a fourth-place finish."

This is an absolutely riveting story for readers who are already somewhat familiar with Thoroughbred racing.I loved it.However, I disagree with the cover blurb that says it is "a delight for both aficionado and novice."If you're looking for a starter book on Thoroughbred racing, try "Secretariat: The Making of a Champion" by William Nack, or "Seabiscuit: An American Legend" by Laura Hillenbrand."The Race for the Triple Crown" has so much insider detail that a newcomer to racing might become totally confused if he or she doesn't already recognize some of the players, e.g. Pat Day, More Than Ready, Sheik Maktoum bin Rashid al-Maktoum, Jenine Sahadi, and The Deputy (for starters).



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11/25/2009

Review of Who's Who in Hell: A Novel (Paperback)

Sorry about the corny title, but I had to think of something.
I was given this book on my birthday and pretty much read it straight away. I was really intrigued by the title and the premise. I must say it took me a while to get into it, but after a while I could not stop reading Who's Who, until I finished it in one go.
I really wanted the actual compiling of Daniel's book to extend further into the novel, but that's not what it is really about. The relationship between Daniel and Laura is really the crux of the story. At times I was getting (annoyed) with it, but by the end I was hooked. Obviously I will not say what happens, needless to say I had no idea and could not stop telling people about it afterwards.
I have read a lot of books recently, very glutinous, but this one stood out becuase of the range of emotions that it produces. The final scene is amazing, I wish I could publish it here, but that would wreck the ending to a bloody brilliant novel.



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11/23/2009

Review of Jesus Saves (Paperback)

Darcey Steinke certainly deserves an A for effort.She's nailed the plot elements necessary to be hailed as a great dark artist in this end of the age - child abuse, dead moms and absent dads, detached sexy teenage girls,philosophical/religious critique of the cult of the suburbs... I havenothing against these elements in and of themselves, although some of themare starting to be overdone.

Unfortunately, her style combines AnneRice's obsessive-compulsive love of irrelevant detail, the insistantgrimyness of a latter-day rock star, and a Joyce-esque refusal to clearlydistinguish thought from actuality, while lacking the redeeming gifts ofany of the above-mentioned artists.

Darcey Steinke will probably writesomething good someday, probably a short story.Keep your eye out forthat.Don't bother with this.



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10/24/2009

Review of The Collected Short Fiction of Bruce Jay Friedman (Paperback)

Long ago and far away (when I wore a younger man's thong) I partook of fine quality entertainment of the likes of Terry Southern's stuff & Sid Perelman's feuilletons & the Evelyn Waughwerks. And then I discovered my spiritual doppelganger. Bruce. He touched me---and suddenly---nothing was the same.

Look. I'm not gonna mince words. This is the single greatest short-story collection in the history of the universe. Although then again, I'm not gonna overpraise Bruce's later stories and say that they're as fab as the early stories. But let me thrustfully insist on the weird idiosyncratic brilliance of those early stories. This book is arguably better than beer, possibly better than sex, and definitely better than sex with Bruce Jay Friedman.

Unfortunately, one of those early stories is missing from this collection. Presumably due to sheer carelessness, a story called THE BIG SIX was omitted. My fave story is WHEN YOU'RE EXCUSED. Or possibly THE SUBVERSIVE. About the narrator's wholesome midwestern friend who turns out to be a full-tilt wackaloon. My other favorite is 23 PAT O'BRIEN MOVIES. A satire of suicide-prevention cliches which could've been easily transposed into a 2-character stage-skit. (And what a missed opportunity for Brando & Olivier.)



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10/20/2009

Review of What It Takes to Get to Vegas (Paperback)

I was hooked by the first few pages of Murray's fast-paced, street-wise story of Rita. Murray's writing is fresh, powerful; she made me care about Rita -- in the beginning. The novel seemed to wane in the middle; Rita'smom disappears almost as soon as she is introduced, then re-appearssuddenly -- although Rita supposedly still lives at home as an adult. Themen and all the women of the barrio are stone stereotypes who could've beencreated by just about any Anglo writer. And while I understand that thestories of the Ritas in el barrio should be told, I wanted something morethan the stereotypical 'hot-mama, promiscuous Latina.' These charactershave been done to death -- it's time for them to die. Why is it that inorder for a woman (fictional and real) to get to the top or to get respect,she has to spread her legs? With respect to the previous reviewer (C.Guerrero "Dreaming in Cuban"? ), for the sake of the children whohave yet to escape, I certainly hope this isn't what it takes to get out ofthe ghetto. As a professor of law, as a Latina, as a woman, does Murraywant us to believe this of her? Hopefully, she will incorporate somepositive attributes into her next barrio character or perhaps she should'write what she knows.' And if she really came from the ghetto-barrio, shewould know that sometimes good things -- and good girls -- do come from badsurroundings.



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