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Moon in Gemini. If it's too good to be true, scream.
About the Author
Brandon Bennett lives, loves, and drinks in Baltimore City. He has worked as a waiter, a bartender, a librarian's assistant, and a pre-school teacher. His first novel, easy 'cause you're beautiful, was published in 2000.
From the opening scenes of a growing friendship between two adolescent boys, it builds to an unimaginable climax that leaves you wondering why Dare Island and when the rest of the world will begin to find these unidentifiable masses, called globsters, washed up on its shores.
The next time you are beachcombing for starfish and shells, if you happen to see the tracks and the splitting of sand dunes as if a bulldozer has come out of the ocean, don't bother to run. It will already be too late ...
I enjoyed this book but would caution for younger readers due to violent content.
Product Description
Dare Island, forty miles off the coast of North Carolina, is known for its wild horses and uninhabited side, which the locals have left largely unexplored.When twelve-year-old Jesse and his friend Lucas discover a giant creature washed up on a Dare Island beach one night, they are launched into the most exciting and perilous adventure of their lives.
Later, near the island's campground, they spot a dangerous-looking creature that looks like a cross between a monkey and a cat.Jesse sends a photograph of the animal to Jasper Callison, a retired biology professor and head of the Society for the Search for Unknown Animals.Jasper decides to investigate, and calls on his old friend Pete, a retired biologist who has worked with him before. Once arriving on the island they are befriended by Sheriff Tillman Dunn who shares in their adventures.
What they find on Dare Island leads Jasper to believe that a monumental change in human history is unfolding before their eyes.Jasper, Pete, Tillman, Jesse, and Lucas are forced to call upon every reserve of strength and courage to survive and to solve The Dare Island Enigma.
About the Author
The author lives in Greenwood, South Carolina where he makes video tapes, interactive multimedia and continues to write.
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Neville is essentially the last man on earth, and the loneliness of his situation is the central part of the story.Matheson is able to communicate Neville's emotional feelings vividly, making him very real.We gradually acquire the story of the deaths of Neville's wife and daughter, essentially experiencing the pain he goes through when these memories overcome him.We watch him drink himself into a stupor as each night finds him besieged in his fortified house, surrounded by vampires, including his old friend and neighbor, calling for him to come out.We watch him slowly lose his grip on sanity and come very close to giving up.Then, however, we watch him overcome his depression and courageously fight to live in the nightmare world he is trapped in.The scenes with the dog he finds are full of emotion and really gripped this reader.This is Neville's first contact with nonvampiric life, and his attempts to befriend and help the poor creature (at the same time finally finding a companion) touched me greatly and brought tears to my eyes.His eventual discovery of another human being like himself is also powerful and emotional, although to speak more about this aspect of the story is to risk giving something away to the future reader.
This is a story of one man overcoming all obstacles and fighting to defend his way of life and his very humanity.The novel deals with the human condition, the essential ingredient to effective horror writing.Neville struggles constantly with his doubts and fears, particularly as he commits acts that he would have condemned as barbarous in the time before the plague.His needs for companionship of any kind offer us a clear image of the inner soul of man.By the end of the story, he does indeed become legend, both in his world and in ours.
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Standing five-stories tall in a relatively small city, the Howard Phillips building is like any other building: it is secretly inhabited by an entity from another plane of existence that feeds off the energy of the people who work withinits walls. Unfortunately, the life form inhabiting this particular building has been infected by a sort of virus of hate; as companies move out and itsinhabitants dwindle this alien intelligence has chosen to use fear as a means of obtaining sustenance. It is up to Jon, Marcy, and Bettieto stop this haunting presence before it's too late.
Gary Frank is a member of the Garden State Horror Writers and the author of Forever Will You Suffer. He lives outside Trenton, New Jersey.
According to theafterword from this book, it took King twelve years to complete thewritings. He wrote the opening line, "The Man in Black fled across thedesert, and the Gunslinger followed"while an undergraduate, the middleportions when "`Salem's Lot" was going bad, and was inspired with anotherconcurrent writing: "The Stand." For King to have kept the Gunslinger, theMan in Black, Jake, and the other characters - and really the entire worldof the Dark Tower - alive for so long in his mind is a testament to notonly the power that this held over the author, but holds over us - hisConstant Readers. Moreover, since the first publishing of "The Gunslinger,"around twenty years have passed, a number of newer volumes in this serieshave come and gone - yet with this first, partially inspired by RobertBrowning's poem, "Childe Roland," and partially inspired by reams of greenpaper (read the afterword to the book), you know that this was a veryspecial creation indeed.
I am not a fan of King's horror fiction. Butwhen he gets down to writing about "other worlds than these," such as "TheStand," "Insomnia," "The Green Mile," and "The Talisman" (co-authored withPeter Straub) - there is no one better. His is an imagination to be jealousof. There is always a feeling that alternate universes exist, next to ourown. King imbues his other worlds with just enough of our own so that wefeel a tantalizing connection between our own perceptions of reality, andthose that King entertains us (Constant Readers) with.
At any rate, "TheGunslinger," at under 300 pages, is just right to introduce us to the worldof The Dark Tower, and keep us on course, with a desire to continue (and towait, ever so patiently for the next volume in the series) the journey theGunslinger started many years ago.
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I don't think it is helpful to go through a story-by-story analysis. Since many of the stories in "The Collection" are very short, an in-depth analysis of them would undoubtedly give away crucial plot information. I'll try to touch on a few recurring themes that Little revisits more than once.
Little has an interesting view of history. This theme caught my eye because I have a degree in history, and enjoy reading and studying the topic. Two stories are notable with this theme. The first, and the one story that made me buy the book, is "The Washingtonians." A man finds a letter written by George Washington in a relative's trunk. The letter discusses eating children and making tools out of their bones, and is judged to be authentic. When the man visits a local university, he finds out that history, as we know it, is a total sham concocted to keep people in line and present a positive image of the powers that be. It is sufficient to say that by the time you reach the end of this story, you'll see a whole new meaning to the phrase, "the British are coming!"
The second story with this historical theme is "Colony." A newly elected president finds out that America isn't what it appears to be. Let's just say that the Declaration of Independence is a facade to placate the people. The president, with the help of Nixon crony H.R. Haldeman (who turns out not to be dead, just in hiding), stages a new war for independence.
These two stories highlight Little's pessimistic view about accepted knowledge. Knowledge is often not a set of rigid facts or figures, but something softer and hazier that can be manipulated by people for whatever goals they desire. Sometimes, historical lies cover up something that can be truly terrifying.
Another theme in the book is his humor, especially in satire. The story that best fits this rubric is "Confessions of a Corporate Man." In this brilliant gem of a tale, Little viciously skewers corporate America's attitude of competition. Disagreements between various departments in a company turn into full-blown wars involving murder, sex, and betrayal. It is bloody, but screamingly funny, as anyone who works (or has worked) in an office will quickly accede. Another tale, "Life with Father," shows us what happens when recycling is taken WAY too far.
The humor isn't just satire, sometimes it is as black as the coffee at an AA meeting. Just check out "The Show," about a snuff theater where the victim on stage might be someone you least expect. Then there is "Pillow Talk," a short tale about pillows who want to share their lust. How about a story about a dwarf who is determined to collect a quarter? It's here and it's funny.
Then there are the straight horror stories, scary stories that make you look over your shoulder. Take a glance at "The Woods Be Dark," a gruesome tale set in the South. The final tale, "The Mumurous Haunt of Flies," is another shocker about a strange bathhouse on a farm that tells us more than we need (or want) to know about death.
There are other types of stories included in this collection, and a reader is sure to find something that tickles their fancy. I'm quickly discovering that Bentley Little is a brilliant author who can write any type of story. I'm looking forward to reading "The Mailman," and "The Association." Actually, I'm looking forward to reading all of his books, and I hope you will, too.
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The small town of St. Albans doesn't welcome the Conways. The communities' memories and rumors of the wrongs and evils perpetrated by the Conways extends even to the children. The house is said to be haunted. Certainly something evil exists within its foundations, a miasma that aims to mutilate and destroy that which is good or innocent. Ted's remarkable healing as result of the touch of evil will cost both his own soul, and possibly the soul of his son.
The estranged Aunt Cora who passed the house to Ted also passed the family bible to the parish priest. Within its pages are the recordings of the generations of Conway women who know the secret of the house's evil. As father Devlin discovers the tragic stories and locates the missing pages, the generations of evil begun at the hands of a priest lead him to the Conway house to aid the fight against a monstrous evil.
Having checked out the many of reviews at, I find it interesting that the higher marks come from readers like myself who haven't read a lot of John Saul's work. THE RIGHT HAND OF EVIL heavy grounding in Catholicism and Satanism won't be to everyone's taste, nevertheless, I found Saul's approach fascinating and addictive. The convoluted and twisted plot kept the pages turning quickly, and I find the origin of the evil within the Conway house fascinating. A remarkable tale in detail, such as the painted garden in the dining room, and rich characterization, I recommend THE RIGHT HAND OF EVIL.
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Another distinction in Laymon's writing is that he takesthe conventional roles of hero, victim, villain and completely turns themaround.It is not uncommon for the hero to become a victim, for the victimto become a villain and so on.In Laymon's books heroes sometimes die andvillains get away.The battle between good and evil rages on, often withinone character.The character's in this book are real people forced intothe most extreme of situations with shocking outcomes.
Without givingaway too much of the storyline, I must add that the ending was a bigsurprise.The twists and turns that occurred within the story kept meguessing through the end.The book was a fast, action packed read thatpulled no punches.I highly recommend itbut be warned it is not for thefaint of heart.
Product Description
A horror novel set in a sleepy backwater where a stark madness invades the inhabitants during a prolonged period of 'unnatural rainfall'.--This text refers to an out of print or unavailable edition of this title.
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