For objectivity's sake: I am a big fan of George Saunders' fiction and non-fiction alike.I see In Persuasion Nation as a step forward into new territories and places (always in Saunders' fiction, there is the place -- CivilWarLand, the land of Inner Horner, alternate universes where our advertising creations live lives close to our own), if not a giant leap ahead.Saunders' keeps it simple, but provocative: the world and all of its inhabitants are sacred, so why do we squander all of that precious sanctity brutalizing each other?This theme winds its way throughout this collection in ways both stark and hilarious.The prose is grounded in the way we say things, which casts an even stronger light on those passages that are transcendent in their simple and precise lyricism (here I am thinking especially of the ending to "CommComm", which I think is maybe Saunders' strongest story yet).If Saunders' deep concern with humanity comes across as saccharine at times, I think that's more of a comment on where we're at than where his fiction is, cause if you can't come to care for this cast of characters (which includes an orange and a polar bear with a hatchet in his head), then, well . . .
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