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Fielding is employed by the M15 to do someone else's dirty work, which puts him outside of the law, more or less. Although Fielding manages to escape the legal consequences reserved for ordinary citizens, his deeds do not go unpunished. As he goes through his existence making choices according to a half-anesthetized morality, he begins to become aware that he, as an individual entity, is being eclipsed by the shady manipulations of his unscrupulous boss. That sense of powerlessness breeds in him desperation, and as he makes his slow and steady way toward damnation, he discovers that potential exits are really deceptions that lead him back to his previous course and there are no u-turns to go back and undo past deeds. He also finds a singular yet grim consolation in knowing that he is not alone in being punished far more than he deserves, and becomes a sympathetic witness to the desperation, fear and suffering of others, from incidental strangers to his neighbors, friends and family. In the end, Fielding manages to thwart fatal resignation and comes to terms with his situation, acknowledging wryly the twisted means of his survival in a world dominated by desperation, confusion and moral ambiguity.
Author Davison's pithy and direct writing style is effective in evoking the sense of desperation and confusion felt and witnessed by the narrator. It's also a notable accomplishment by the author to have been able to capture the protagonist's disorientation so effectively while making the novel so readable. Additionally, Davison has a much more profound understanding of irony then many of his contemporaries, which affords some of the novel's most quotable bits. He does an equally commendable job in creating sympathetic, believable, even haunting characters, including smaller, marginal ones such as the drunk carrying the bag of coal. These characters are disturbingly memorable, as they become as etched into the reader's mind as in the protagonist's. Overall, this is an excellent, recommendable book, providing a poignant and unforgettable narrative of a very flawed and very human individual making his 'crooked' way in a very grey world.
Product Description
Harry Fielding is an understrapper-a sort of odd-job freelancer for the British intelligence agency, MI5. One night he watches his neighbor exacting murderous revenge on her brutal brother-in-law-a premeditated act, for which she is sentenced to prison. Not long after, Harry witnesses a different murder: a crime of passion committed by a cabinet minister. Harry must help clean up the crime scene, turn the dead woman into a Missing Person, and ensure the guilty man does not become a suspect.
In The Crooked Man, Philip Davison offers fans of contemporary Irish literature something wonderfully unexpected-a wry, grim thriller with a dark sense of humor, of depravity, and of humanity.
"Harry Fielding, the narrator, is a gem. World-weary and clueless, knowing and blind, he's the perfect escort through this memorable and very accomplished book." (Roddy Doyle, author of A Star Called Henry)
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Examples: page 2, states that the Dinosaurs "disappeared hundreds of millions of years ago" (65 million years would have been correct.) Page 117 identifies the Mississippian Age Bear Gulch Formation as Devonian Age. Page 51 and 52 and 53 list Horseshoe crabs as dating from 200 million years ago but there are well known horseshoe crabs as old as 370 million years old!
Page 53 also lists Aglaspids as being horseshoe crabs when they are not considered to be.
I teach, and the accuracy of material is important. I don't want to present ideas to my students if they aren't right. The book is interesting, but the errors I see at a quick skim make me pause.
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"I have to change my life, do something that engages my soul before I die," Roscoe tells Elisha, who observes that Roscoe has kept his discontenthidden. Roscoe explains, "I have no choice. I have no choice in most things. All the repetitions, the goddamn investigations that never end, another election coming and now Patsy wants a third candidate to dilute the Republican vote. We'll humiliate the Governor. On top of that, Cutie LaRue told me this afternoon George Scully has increased his surveillance on me. They're probably doubling their watch on you, too. You'd make a handsome trophy."
This statement establishes William Kennedy's mid-century Albany in the seventh book of his Albany cycle - a city run by a small, closed circle whose primary function is to maintain power, constantly besieged by similar cabals whose goal is to grab that power for themselves. The weapon of choice is the scandal, of which there are plenty to go around, real or manufactured. And the best defense is a ferocious boomerang of a spin, at which Roscoe excels. The reasons he wants to retire are the same reasons why he can't. Roscoe's life is inextricably entwined with the Democratic Albany machine and both Roscoe and his city are ailing.
Albany is run by a triumvirate of boyhood friends - Roscoe, Elisha Fitzgibbon and Patsy McCall, none of whom hold office. Hours after Roscoe announces his intent to retire, his friend Elisha commits suicide. Puzzled and shocked, Roscoe's political antenna tells him Elisha had a good reason, probably to do with protecting his family. He postpones his retirement to help Veronica stave off a nasty family scandal, his youthful hopes of romance rekindled.
As the Republicans position themselves for attack, and Roscoe plies his skills, Kennedy splices the teeming past into the melodramatic events of the present, history repeating itself with infinite variation. Roscoe's World War I experiences (and his first foray into "spin"), the numerous internecine battles among New York state's and Albany's democrats, the roles of big politicians like Al Smith and FDR and the big criminals like Legs Diamond, the opportunities of Prohibition and the ever-present dangers from muckrakers and power grabbers from outside the machine and feuds and jealousies within among the cops, judges, civil servants and vice purveyors who keep things volatile, all of it feeds the machine. The cast of characters is big and the novel's scope is vast but Kennedy engages the reader with his own fascination for history and ambitious, unscrupulous men.
Kennedy, an Albany native and winner of the Pulitzer for "Ironweed," gives us a portrait of a man and a city, mirror images, both full of heart and wit and delight in clever scheming. Roscoe is Albany, his fate rooted deeply in the city's. His father before him was a cog in the machine and Roscoe's first steps were orchestrated by (and a tribute to) his father's ambitions. When Roscoe says he never had a choice, it's the truth. He can no more escape the clutches and drive of Albany than Albany can shed the machine that makes it run. As the reader recognizes this, Roscoe is driven to greater feats of political brilliance and sleight-of-hand. But no man can control the passions of others or the quirks of fate.
Kennedy's prose is as big and ebullient as his sprawling story. In Kennedy's hands Albany history has a legendary, mythic feel. Though the cast of characters and dizzying panorama of events sometimes taxes concentration, Kennedy's black humor, sharp irony and the perverse likability of rascally Roscoe continually enthralls, right up to the final irony of the perfect ending.
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